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Beers of the world/ Biere der Welt: Harp. Vol. 2.

Posted by dc on May 24, 2013
Posted in: Beers of the world. Tagged: beer, Bier, Guinness, Harp, Ireland, Irland. Leave a Comment

This weeks beer is from the lovely emerald isle – Ireland! It is called Harp, it is lager beer, and it is pretty good. They serve it extra chilled and draft it from a special kind of tab – even the glasses are sometimes taken out of a special fridge.

So, the overall experience when drinking Harp in Ireland is a bit unusual, and despite of being a very cold beer, the taste is still there. Slainte!

Harp lager ny safari-photographer

Harp lager by safari-photographer

Geliebtes Irland! Land der freundlichen Menschen und der sehr kalten Biere! Harp ist ein Lagerbier, und ein kühles Blondes im wahrsten Sinn des Wortes: Serviert wird es extrakalt, und gezapft aus einem extra gekühlten Zapfhahn, und auch die Gläser stammen zuweilen aus dem Harp Gläserkühlschrank. Eine schöne Marketingidee! Aber ein tolles Bier, die Nummer mit der Kälte macht es zu einem etwas besonderem Erlebnis es zu trinken, und der Geschmack wird nicht totgekühlt, und ist durchaus gut! Eine fabelhafte Alternative zum dunklen Guinness. Slainte!

  • Beers of the world, Vol. 1: Huari, Bolivia

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When Africa is far away – tips for zoo photography/ Wenn man gerade nicht auf Safari in Afrika ist

Posted by dc on May 23, 2013
Posted in: photo gear, wildlife photography. Tagged: foto tips, foto tips on gear, foto training, wildlife photography, zoo, zoologischer garten. Leave a Comment

Well, if you do not live in a permanent Safari like my fellow photographers Morkel Erasmus or Marlon du Toit in South Africa, most of us are pretty far away from Africa most of the year. So, the question is, how to stay in shape, I mean photographic wise, as a wildlife photographer. Easy answer: you go to the zoo or any national park near to you.

In my case, it is mostly some zoo – especially in the European winter visiting zoos can be a good choice, because on most of these grey, rainy winter days, the zoo is empty of visitors. Regardless of the discussion if a zoo nowadays makes any sense, I like some parts of zoos and use them to train my wildlife photography  skills (I think zoos still have their right to exist, because it is for most children and adults the only chance, to get a glimpse at a living animal larger than a dog and more unusual than a cow. And some zoos have some interesting breeding program for endangered species like the White and Black Rhino). But, to be honest, I do not think that a Giraffe, just to give an example, belongs in a zoo. And none of any sort of whale, either. Anyway, here are my tips for training your skills as a photographer, when visiting a zoo:

  • Choose  bad weather: If the sun is shining and the sky is blue, almost anybody can take interesting pictures. The difficult light situations are more challenging!
  • Choose bad weather 2: test your gear and your outdoor clothes, that is fun and shows you if your stuff is protecting you
  • Just take one lens with you: that really trains to think, if you only have one lens with you, for example the Macro. Think about the unexpected: How to make a good picture of a big animal, with a Macro lens. Or try to catch the ants in the restaurant with your Macro lens!
  • Choose your topic: Choose just one topic for your pictures, like: birds. Or: grey animals. Or: animals without fur. A photographer has to find solutions for difficult situations, and having just one topic is quite demanding.

As you can see in my example photo: grey  weather, and a grey heron ( a wild one, not a captured one), standing in the rain, giving me a suspicious stare.  Picture taken at Berlin Zoologischer Garten.

Grey heron by safari-photographer

Grey heron by safari-photographer

Der Zoo kann für jeden ambitionierten Naturfotografen ein schönes Trainingsgelände sein, denn wer ist schon die ganze Zeit in Afrika, kann auf Safari fahren oder lebt in einer sehr tierreichen Gegend ?

Unabhängig von der Frage, wie sinnvoll Zoos in unserer heutigen Zeit sind, gehe ich sehr gerne in Zoos, zwar mit einem ambigen Gefühl, und vorzugsweise im Winter, bei richtig schlechtem Wetter, und trainiere fotografieren.

Die Zoodiskussion sei hier kurz angeschnitten: Ja, ich mag es nicht, Tiere wie Giraffen, die den ganzen Tag durch die Savanne streifen, in kleinen Zoogehegen zu sehen. Auch alle Meeressäuger und Wale und Delfine gehören absolut nicht in Zoos oder Delfinarien. Andererseits stellen Zoos für viele Menschen die einzige Gelegenheit dar, lebende Tiere in Echt sehen zu können. Und ja, einige Zucht- und Auswilderungsprogramme wie z.B. das Nashornprogramm des Zoos Frankfurt in Zusammenarbeit mit dem North Luangwa Nationalpark in Sambia geben den zoologischen Gärten nach wie vor eine Daseinsberechtigung.

Als Trainingsgelände für Naturfotografen ersetzen Zoos also die Safari, und hier sind meine Tipps für eure Tierfoto – Trainingsrunde:

  • Geh bei schlechtem Wetter: Schönwetterfotos machen kann jeder, die Herausforderung ist das graue Regenwetter mit schlechtem Licht!
  • Geh bei schlechtem Wetter und teste deine Foto- und Outdoor – Ausrüstung: Kann die Kamera den Regen ab und hält die neue Regenjacke dicht? Hier macht man Erfahrungen für draussen, mit seiner Ausrüstung, wenn es ernst wird.
  • Nimm nur ein einziges Objektiv mit: Die Beschränkung auf ein Objektiv regt zum Nachdenken und Improvisieren an: Wie mache ich gute Fotos mit nur einem Objektiv, was sind meine Lösungen und kreativen Auswege?
  • Such dir ein Thema aus: Beschränke dich auf ein kreatives Thema: Vögel, oder nur graue Tiere, oder nur Tiere in grossen Mengen – Fotografen müssen Auswege finden für schwierige Situationen, und dennoch gute Ergebnisse erzielen. Das ist die Kunst!

Siehe das obige Beispielfoto: Ein Graureiher, fotografiert im Zoo Berlin. Das Exemplar ist ein wilder Reiher, der im Zoo überwinterte, und der mich ziemlich nah heranliess, aber dennoch misstrauisch beäugt!

 

 

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Wildlife Photographers (10): Andy Biggs

Posted by dc on May 14, 2013
Posted in: wildlife photographers. Tagged: Africa, Afrika, Andy Biggs, Botswana, camera equipment, photosafari, Safari, Serengeti, Tanzania, wildlife photographers, wildlife photography. Leave a Comment

Just recently, well known wildlife photographer Andy Biggs gave a very informative insight in the way he works and how he became a wildlife photographer in this great video, filmed at Google talks. To me, Andy Biggs is in the tradition of great american artists like Howard Hawks or Ernest Hemingway: Great and unique in their art, but modest and not artsy-like in their character. Andy calls himself not an artist, but “a creative person”. I guess, that says it all. So let his photography talk about the man: his view of Africa and its wild animals is a poetic one. There is always some tenderness and empathy in Andy Biggs pictures of African animals and landscapes. There is never any overcooking involved in his pictures -never too close, never too far away, always on the spot where the photographer has to be. Timing and composition, always great, and always fitting to atmosphere and object.

Andy Biggs offers photo safaris mostly in Botswana and Tanzania/Kenya.

Andy Biggs ist ein sehr bekannter Wildlife Fotograf, der erst jüngst bei einer Veranstaltung bei Google (siehe obigen Link auf das Video) einen sehr interessanten und sehr amerikanisch-praktischen Einblick in seine Arbeit und seine Karriere als Fotograf gab. Für mich ist Andy Biggs  ein typisch amerikanischer Künstler: Seine Kunst sprich seine Fotografien für sich sprechen zu lassen, ohne für sich als Person in Anspruch zu nehmen, ein Künstler zu sein. Andy Biggs nennt sich selbst lieber “a creative Person”. Seine Fotografie von Afrika und den Tieren Afrikas spricht von grosser Sympathie für Landschaft und Fauna, und von Respekt. Seine Fotos sind nie aufdringlich, halten Abstand, wo es sinnvoll ist, Abstand zu wahren, und gehen poetisch in die Nahdistanz, wenn dies sinnvoll ist. Ich mag sein Timing und seine Komposition: immer stimmig, immer atmosphärisch.

Andy Biggs bietet Fotosafaris in Afrika an, zumeist in Botswana und dem Serengeti-Mara Ökosystem.

copyright Andy Biggs

Q safari-photographer: What is your photo equipment, and what is the reason for Canon or Nikon?

A Andy Biggs: I primarily shoot with Phase One medium format gear, however I also use Canon and Nikon both to fill in on a safari-by-safari basis. I rent what I need, and some safaris require longer focal lengths than others.
Q: What are your lenses?
A: My primary wildlife lens is a Schneider 240mm on my Phase One camera, which is equal to around 150mm on a full frame Nikon or Canon camera. I also use a Phase One 75-150mm, and on 35mm equipment I often use a 200-400mm f/4 or 300mm f/2.8.
Q: What is your favorite lense, and why?
A: I absolutely love the 70-200mm f/2.8. It is such a utilitarian lens!
Q: What is your favorite place for wildlife photography in Africa/the rest of the world, and why?
A: I have two favorite places: The open savannah of the greater Serengeti ecosystem as well as the Okavango Delta of northern Botswana. Both of these locations offer extraordinary landscapes as backdrops for the abundant wildlife.
Q: What is your current project you are working on?
A: I am currently working on trying to be at home more often. :-)
Q: What is a dream project for you in the future?
A: My dream project is to photograph in ecologically sensitive environments, documenting threatened species as the result of habitat loss.
Q: What are your concerns for the future regarding protecting the African wildlife and national parks?
A: My concerns are that the wildlife in our parks are becoming islands of isolated genes, separated from each other by large populations of humans. I would like to have wildlife corridors, linking parks and wildlife-rich ecosystems with one other.
Q: What do you try to achieve with your photography?
A: I try to convey a sense of peacefulness, hope and timelessness with my imagery. I try to take viewers to a place that seems far away from home.
Q: Do you consider yourself being an artist?
A: I do, but I prefer to use the term photographer or that I am a creative person.
  • Andy Biggs homepage
  • Andys Blog
  • Andy Biggs on Facebook

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Use of HDR in wildlife photography / HDR und Naturfotografie

Posted by dc on May 8, 2013
Posted in: landscape photography, Safari photography, wildlife photography. Tagged: Canon, HDR photography, HDR wildife photography, travel photography. 3 comments

Maybe I am wrong, but the use of HDR in wildlife photography does not seem very common. It appears to me it that HDR technology is more used in landscape and architecture photography. Well, anyway, I tried to pimp some of my wildlife pictures with the use of the Aperture HDR plugin  called HDRtist. This plugin is a piece of cake to install and can easily convert a single photo as a so called fake HDR into a HDR picture. Actually for HDR you take a series of  the same photo, with different aperture settings, and you stitch these photo series into one single photo by fusioning all the different light situations into one.  The results of using HDR for my single shot wildlife pictures where kind of interesting – if you like this what I call a pop art approach in wildlife photography

HDR Giraffe by safari-photographer.com

HDR Giraffe by safari-photographer.com

Here is the original photo:

Giraffe Bull Etosha N.P., Namibia, by DC Loew

Giraffe Bull Etosha N.P., Namibia, by DC Loew

 

Here comes the zebra in HDR:

HDR Zebra by safari-photographer.com

HDR Zebra by safari-photographer.com

And here is the original photo:

Serengeti zebra in black and white by DC Loew

Serengeti zebra in black and white by DC Loew

Die Verwendung von HDR Technologie in der Naturfotografie scheint nicht sehr ausgeprägt, und das hat sicherlich seinen Grund: Naturfotografie verträgt die Künstlichkeit der HDR Fotos nur ganz bedingt. Schliesslich sind die Lichtsituationen in HDR artifiziell und alles andere als natürlich. Wenn man wie ich nun versucht hat, die hier gezeigten Fotos im HDR Stil anzupassen, so geht dies nur mit einer intendierten Künstlichkeit daher, ich entleihe mir dafür den Begriff der pop art – aber urteilt selbst.

  • HDR Tutorial (in English)

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Safari photography tip: Secretary Bird / Safari Fotografie: Der Sekretär Vogel

Posted by dc on May 4, 2013
Posted in: Safari photography, Safari tips, wildlife, wildlife photography. Tagged: bird photography, Kenia, Kenya, masai mara, masai mara kenya, secretary bird, Sekretärvogel. Leave a Comment

One of the animals you will almost anytime encounter when on safari in Africa, and which is very easy to spot and to identify, is the secretary bird. This huge bird of prey can be found in savannas and open grassland, and is home in the sub-saharian Africa. National parks where I did see secretary birds are Masai Mara, Etosha, Moremi, and Serengeti, of course. But it can be spotted in South African parks as well.  The problem with this bird is, to get a decent picture of it.

Mostly, these birds are patrolling the open grass and walk through the bush, preying on all animals which are crawling on the ground, small rodents as well as snakes. But, if the secretary birds spots you in your safari car, it turns around and its back towards you and simply walks way. Or, if you are getting too close, it flies away. So in in most cases you will only have the chance to take a picture of the birds back. Same goes for the nests of them: these are in the top of acacia trees, and the photo taken from the ground aiming up is never a good solution.

The solution is simple: you have to be quick with your camera and spot the bird before it spots you – and walks away. As you can see in this image, taken in Masai Mara, Kenya, the secretary bird just is about to turn its head – and to walk away. That is why the picture is not 100% focussed. But  checking my data, I could not find any other ok photo of this very photogenic bird.

Promised: On my next safari, I will try to take a decent picture of a secretary bird –  I am open for recommendations in which African park I might succeed.

 

Secretary bird by DC Loew safari-photographer.com

Secretary bird by DC Loew safari-photographer.com

Einer der fotogensten und interessantesten Vögel, denen man auf einer Safari in Afrika begegnen kann, ist der Sekretär oder secretary bird. Dieser Raubvogel ist von ähnlicher Grösse wie ein Mäusebussard, hat allerdings sehr sehr lange Beine und wirkt deshalb recht gross. Somit ist er sehr auffällig, einfach zu erkennen und in fast in allen Nationalparks des südlichen und östlichen Afrikas zu Hause. Der Sekretärvogel bewohnt Savannen und offenes Grasland, und ist meistens zu Fuss unterwegs, denn er jagt alles Getier, was sich am Boden befindet, seien es kleine Nager oder sogar Schlangen. Nur im Notfall fliegt er davon, und das ist das Problem, denn: Ein gutes Photo von ihm zu erhalten ist sehr schwer. Sobald der Raubvogel das Safari – Fahrzeug erspäht hat, wendet er sich ab, zeigt dir seinen Rücken, und läuft davon. Kommt man zu nah, fliegt er weg.

Die Lösung ist einfach: Man muss den Vogel überraschen, und nah an ihm dran sein, bevor er einen sieht. Dann die Kamera schnell parat, mit einer langen Linse und geringer Verschlusszeit. Dann sollte man die Chance haben, ihn zu fotografieren, bevor er einem den Rücken zuwendet. Das Foto oben ist auf einer Safarin in der Masai Mara in Kenia entstanden, kein sehr gutes Foto, zugegeben. Eher ein dokumentarisches Abbild als gute wildlife Fotografie.

Und versprochen, auf meiner nächsten Safari steht der Sekretär auf meiner Wunschliste für ein gutes Foto.

 

 

 

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Hippo in the grass /Ein Flusspferd im Grünen

Posted by dc on April 29, 2013
Posted in: Safari photography. Tagged: Canon, Flusspferd an land, hippo, hippo browsing, hippo in grass, Serengeti, seronera, seronera river, Seronera valley, Tansania, Tanzania, Tierfotografie. Leave a Comment

This photo of a browsing hippo was taken on a Safari in Seronera Valley, Serengeti, Tanzania, at around midday. The story behind it is simple: We were on  game drive in the Seronera valley, pretty close to the parks headquarter, and it was about time for our lunch boxes.

Normally, at this time of the day you should not expect to see a lot of animals or take a good picture – it is too hot, too dusty, and the light is really bad – too much sun washing out colors, contrasts, everything what makesa good picture is hardly to meet at lunchtime in the Serengeti.

Besides that, hippos have very sensitive skin and the try to stay away from the sun, so normally they get out of the water only at night, to graze. But to our surprise we encountered this hippo in the hot midday sun, taking a stroll through the high grass besides Seronera river.

The high grass made it difficult to a gain decent focus, and the hippo disappeared as quickly as it showed up, but here is the picture:

Canon EOS 5D MkII, Canon EOS EF-L lens with 300mm. I used the canon doubler, so the focal length is 600mm! ISO at 250.

Maybe not a great, outstanding picture, but interesting because of the rare animal behavior documented, and kind of mastering the moment. Maybe because that is why I like it!

Hippo in the grass by DC Loew

Die Geschichte hinter diesem ungewöhnlichen Foto eines afrikanischen Flusspferdes ist schnell erzählt. Das Ungewöhnliche ist: Normalerweise bleiben Hippos den Tag über im Wasser, und verlassen dieses erst gegen Abend, wenn die Sonne nicht mehr ihre empfindliche Haut schädigen kann. Das wusste das oben abgelichtete Exemplar aber offensichtlich nicht!

Gegen die Mittagszeit, wenn Licht und Gelegenheit in der Serengeti  gegen so ziemlich jedes gute Foto sprechen (Die starke Sonne bleicht Farben und Kontraste total aus, es ist staubig und die Luft flimmert und sorgt für Unschärfe, und die Tiere verstecken sich vor der Hitze) trafen wir auf dieses grasende Flusspferd. Es war im Tal des Seronera Flusses im Herzen der Serengeti, gar nicht weit vom Hauptquartier der Parkverwaltung.

Genauso schnell und unerwartet wie sich diese Foto Gelegenheit bot, verschwand das Flusspferd auch wieder, das hohe Gras machte ein scharfes Foto ziemlich schwierig, aber oben seht ihr das Resultat, die Schärfe ist manuell eingestellt und halbwegs ok.

Canon EOS 5D MkII, Canon EOS EF-L Objektiv mit 300mm. Ich nutzte den Canon 2x Konverter, die  Brennweite ist 600mm! ISO  250.

Sicherlich kein besonders grossartiges Tierfoto, aber ein schönes Naturdokument welches ein ungewöhnliches tierisches Verhalten dokumentiert. Aus fotografischer Sicht wurde aus den schlechten Umständen das bestmögliche gemacht, insofern mag ich  dieses Foto genau aus diesem Grund!

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New on safari-photographer: most important National Parks in Africa and trekking trails per country

Posted by dc on April 26, 2013
Posted in: Africa Tourism, Safari tips, Südafrika, travel Africa, Trekking in Africa, Walking Safari. 1 comment

Some weeks ago I added some english language texts to safari-photographer.com which feature descriptions about the most important African National Parks in the most important safari destinations: South Africa, Tanzania, Kenya, Namibia and Botswana.

Serengeti Special campsite by safari-photographer.com

Serengeti Special campsite by safari-photographer.com

These texts also include, as I like hiking and trekking very much, African trekking trails. This week I want to highlight the South African chapter, as it was much work getting all the information together. You can find the texts linked in the header under the headlines “Safari in Africa” (English) or “Safari in Afrika” in (German).

South Africa has a broad spectrum of varying nature from a diverse coast, deserts, savannahs, and mountainous areas and has a good tourist infrastructure, with a lot to offer travellers interested in nature. Over 500 reserves total 642,000 km², an area larger than Spain and Portugal combined.

Trekking tours are popular in the Drakenstein Mountains, in the Kwa Zulu Natal province, with a terrain of up to 3,500m altitude and 1,000 km length in the east of South Africa. There are countless spectacular tracks .

Many of the South African National parks offer excellent trekking tours and walking safaris on so-called nature trails. Some parks also offer the opportunity to use a mountain-bike for a trek through the wilderness. All activities such as safaris, hiking tours, trekking tours, and any outdoor activities are normally organised through the national park management, who accept all the bookings. The network address of the South African parks management is http://www.sanparks.org.

Flight connections from Europe: Nearly all major European airlines (Lufthansa, British Airways, Air France, KLM) and South African Airways from major European hubs like Frankfurt and London Heathrow  fly to South Africa. Most connections go to Johannesburg and/or Cape Town.

For flight connections from the Americas or Asia: South African flies Buenos Aires to Johannesburg with A 340. And there are plenty of flights with airlines like Emirates or Etihad to Johannesburg via their hubs in the middle East. From North America you have to cross the Atlantic and get a connecting flight from somewhere in Europa. Best European airports and carriers in question of transfer time: KLM via Amsterdam, Lufthansa, United Airlines, Air Canada via Frankfurt. British Airways and American Airlines via London, check carefully if your connecting flight goes either from London Heathrow or London Gatwick!

Germany offers direct flights from Frankfurt and Munich to Johannesburg with Lufthansa and South African Airways; Air Berlin leaves daily from Munich to Cape Town except on Sundays.

Bookings: The park management of South Africa has set up a website for queries and bookings of accommodation and camping grounds.

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    • Beers of the world/ Biere der Welt: Harp. Vol. 2.
    • When Africa is far away – tips for zoo photography/ Wenn man gerade nicht auf Safari in Afrika ist
    • Wildlife Photographers (10): Andy Biggs
    • Use of HDR in wildlife photography / HDR und Naturfotografie
    • Safari photography tip: Secretary Bird / Safari Fotografie: Der Sekretär Vogel
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